From the content, format and appreciation, what is the difference between the Song Dynasty’s poems and words?
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Tang Poetry
Catalogs · [Early Tang Poetry]
· [Sheng Tang Poetry]
· [Border War Poetry]
· [Poetry, Poetry Saint]
· 【 Du Fu’s Poetry]
· 【Mid-Evening Tang Poetry】
The Tang Dynasty (618-907 AD) was the heyday of the development of classical poetry in my country. Tang Shi is one of the outstanding literary heritage in my country and a brilliant pearl in the treasure trove of literature around the world. Although it has been more than a thousand years since it is now, many poems are widely circulated.
The poets in the Tang Dynasty were particularly. Li Bai, Du Fu, and Bai Juyi are the world -famous great poets. In addition to them, there are countless other poets, like the sky fighting. These poets have more than 2,300 people today. Their works are still more than 48,900 in “The Tang Poems”. The theme of Tang poetry is very extensive. Some reflect the class conditions and class contradictions of the society from the side, and expose the darkness of the feudal society; some praise the war of justice and express patriotism; some depict the beauty of the motherland. In addition There are those who express their children’s love, there are people who tell friends, life sadness, and so on. In short, from natural phenomena, political dynamics, labor life, social style, until personal feelings, they can’t escape the keen eyes of the poets, becoming their writing is the subject matter. In terms of creative methods, there are both realistic genres and romantic genres, and many great works are models of these two creative methods, forming an excellent tradition of classical poetry in my country.
The form of Tang poetry is diverse. There are basically five words and seven -character poems in the Tang Dynasty. There are also two types of poems, one is called a quatraint, and the other is called Law Poetry. There are five words and seven words. Therefore, there are basically six types of Tang poetry: five -character ancient body poems, seven -character ancient style poems, five -character quatrains, seven -character quatrains, five -character rhythm poems, seven -character poems. The requirements of ancient poems on the rhyme rhythm are relatively wide: one of them, the number of sentences can be more or less, the chapter can be long or short, and the rhyme can be converted. Near -style poems have strict requirements on the rhyme rhyme: there are limited numbers of a poem, that is, four sentences, eight sentences of law poems, the flat sound of the words in each poem, there are certain rules, the rhyme feet cannot be converted; Four sentences become confrontation. The style of ancient poetry is passed down from the previous generation, so it is also called ancient style. Near -style poems have strict rhythm, so some people are also called rhythmic poems.
The form and style of Tang poetry are colorful and new. It not only inherited the tradition of the Han and Wei people’s songs and Yuefu, but also greatly developed the style of the song. The use of words also creates a very beautiful and neat poetry with a very beautiful style. Near -style poems were new style poems at the time. Its creation and maturity were a major event in the history of the development of poetry in the Tang Dynasty. It has pushed the artistic characteristics of the syllables of ancient song poetry and refined text to the unprecedented height, and found the most typical form for ancient lyric poems. However, the rhythm poetry in the near -body poetry, because it has strict restrictions on the rhythm, is easy to restrict the content of the poem, and cannot be created and exerted freely. This is a great flaw brought by its strengths.
Song Ci
Song Ci
Song Ci is another kind of literary genre after Tang poetry, which is basically divided into: two categories: gentle and unrestrained faction
representatives of the gentry factions Characters: Li Yu, the master of the Southern Tang Dynasty, the female poet of the Song Dynasty: Li Qingzhao and other
representatives of the luxury faction: Xin Qiji, Yue Fei, etc.
Song Ci A giant drill, in the ancient literature, is a fragrant garden. With the colorful and luminous gods, she competes with the Tang poetry, and she has always been known as the Tang poetry with the Tang poetry. From the “Book of Songs”, “Chu Ci”, and the poetry of the six dynasties of the Han and Wei Dynasty, they learned nutrition, and sent organic components to the later Ming and Qing dynasties. To this day, she is still cultivating people’s sentiments and brings us high artistic enjoyment.
The initial period of the words is extremely gorgeous, popular among the market wine restaurants, like writing “writing” and changing the floating name and singing “, offending the emperor Liu Yong at that time. Zhi, he lingered between the Qinglou of Gefang in his life and wrote words to the prostitutes. Remember, it seems that after being the prime minister, he did not admit that he wrote the words he had written before. We also knew that there were more prostitutes in the Song Dynasty. Together with the scholars of the Song Dynasty, they constituted the hedonism of the Song Dynasty and the culture of Xuhuang.
A dynasty and a country. This article refers to the style of Wen style or a society. We know that if a person studys specifically and studies the knowledge, then you must be separated from production labor and cannot fight. “After the establishment, the show in the world dedicated to drilling this thing to get fame and fame to support himself, so there was no time to think about things and inverted it. If a country” the more “the” style “is, the less people do things. This country will have a problem. There are many people who write poems in the past, and Song poems are also famous. Why is the independent poem named “Tang”? Tang poetry is praising the wind and snow, and there is a simple beauty. It reveals this. This reveals this. The nation is rustic, rough and magnificent, and Song Ci is more exaggerated style. If the culture of a country promotes the development of this country, then it is strong and vitality.
In the theory of evolution and history, there has never been “if” and “assumptions”, but only the cruel reality. The Song Dynasty was destroyed by the barbaric nation. This is the result. Alice.
The origin of the name of the word card
Fisher in fishing song: Also known as “Fisherman”. n Xiaoxiang Shen: Also known as “Xiaoxiang Qu”. In the Xiaoxiang area of the Tang Dynasty, the divine song of Xiangfei. The name of the original Tangjiao Fang.
Wang Jiangnan: The real name “Xie Qiu Niang”, Li Deyu was written by Xie Qiu Niang for the dead prostitute. “Dream Jiangnan”, “Wang Jiangnan”, “Jiangnan Good”, etc..
谒 谒 谒 谒 《《: The name of the original Tangjiao Fang, the Dunhuang song has the sentence “Golden Gate Emperor Ting”. .
Cangwu rumor: “Sixteen characters”.
The dream order: Later Tangzhuang Zong Li Cunzheng created, because there is “like dreams, dreams like dreams” And name.
In Qingyu case: The name of the name of the “Four Sorrows Poems” from Han Zhang Heng: “Beauty gives me a brilliant paragraph, why is it reported?” State: Reconstruction of the Tang Bianzi “Ganzhou” And because of the eight rhymes of the upper and lower films, the name is eight.
The Nian Jiao: Niannu, Tang Tianbao’s famous singers during the year.
The fairy: The original Tangjiaofang song, his real name “Wanshn”, was renamed because Huang Fusong’s “Annoying Tianxian Should Be You”.
The water tuning song: Tang Dazu has “Song of Water”, which was made by Emperor Sui Yang when he was excavated in the Luohe River.
Bodhisattva: The name of the original teaching square, also known as “Zi Ye Song”, “Wushan Yiyun” and so on. According to records, during the Tang Xuanzong, the woman’s country entered the tribute, and her people were high in golden crowns, and they were quilt.
钗 头: Take the name of the Anonymous’s “Pick Fang” “Poor Lishan Like a Phoenix” as the name.
Xijiangyue: The name is transferred from Li Bai’s “Su Tai Lanu” “Only Xijiangyue, once followed by Wu Wang Palace.”
Linjiangxian: The name of the original Tangjiao Fang, originally Yongxiang Ling.
Thison: The name of the original Tangjiao Fang was taken from Zhang Heng’s “Nandu Fu” “Sitting on the Nan Ge to Get up Zheng Wu”.
Themei: It is named because Zhou Bangyan’s “One Cut of Plum Blossoms”.
The water dragon yin: The name is transferred from Li Bai’s poem “flute water dragon yin”.
Qinyuanchun: Qinyuan was originally the princess of Qinshui in the Han Dynasty.
Die Lianhua: The name of the original Tangjiao Fang is taken from Liang Jianwen’s verse “Turning Gorge Butterfly Love Flower Love”, also known as “Step Tap Branches” and “Feng Qiwu”.
This for a while: The name of the original Tangjiao Fang, also known as “Ten Shoots”, came from the large -scale martial arts “Qin Wang Breaking Formation” made by King Li Shimin in the early Tang Dynasty
n Interpretation
The words all have words. For example, Manjiang Hong, Xijiang Yue and so on. The so -called word card is the name of the format of the word. The CCP of the “Credit” of Wanshu in the Qing Dynasty received more than 1,180. In fact, the word cards were more than this number.
The origin of the word cards, about three types:
. The name of the music was originally. The predecessor of the word is a song of songs, such as the Bodhisattva, and it is said that when the Xuanzong of the Tang Dynasty was presented, they tried a tribute to the country. They were tall and golden crowns. The Bodhisattva is quite chanting, and it will become a word card in the future. The same is true of Xijiangyue and Qinyuanchun.
. Several words in the words are used as a word card. For example, remembering Jiangnan, because Bai Juyi’s “Jiangnan is good … can not remember Jiangnan”. Niannu Jiao also came to Dajiangdong, that is, because of Su Dongpo’s “Dajiang East” sentence.
three. For example, the fishing song is living in the fishing family. Those who indicate “original meaning” under the word cards are also the topic.
. Most of the words are not the original meaning of the word, but just a codename of the spectrum. Most people should write another question or quote the small words below to speak their wonders.
The development of Song Ci is divided into three stages. In the first stage, Yan Shu, Zhang Xian, Yan Jidao, Ouyang Xiu, etc. inherited Yu Xu, “Huajian”, and was the transition of Tang to Song; in the second stage, Liu Yong and Su Shi carried out the new development of forms and content in form and content. As well as the artistic creation of Qin Guan, Zhao Lingzhang, He Zhu, etc., it promoted the prosperity of the Song Ci to develop a variety of styles. In the third stage, Zhou Bangyan’s collection in artistic creation reflects the deepening and maturity of Song Ci. These three stages are completely separated from time to time, but they are staggered together; in terms of the actual situation of their development and evolution, inheritance and innovation are not disconnected.
Yan Shu and Ouyang’s birthdays are the world of Chengping. The two loved the words and emotions of Feng Yanyi in the Southern Tang Dynasty. And more “rich and rich”, or “sparse”, “deep and gentle” and have both “obscene words”, and there are many things in common with Xishu’s “flowers”. Yan Shu’s “Pearl Yu” and Ouyang Xiu’s “Near the Music House” and “Drunk Man Qin Fun” have not broken through the traditional theme in terms of ideological content. In the form of art, no new creations have been seen. In the first stage of the development of the Northern Song Dynasty, the creations of Yan Shu and Ouyang Xiu were mainly inherited; the creation of Zhang Xian and Yan Jidao has been slightly revealed.
Zhang Xian and Yan Jidao, while inheriting the “Yu Xu”, have already appeared in the signs of “innovation”. Zhang Xian’s lyrics created, Wan turned to be beautiful, and although the content of the ideas has not broken through the scope of “flowers”, he created several slow words and prepared for the change of the word body in the art form. Yan Jidao’s creation, although in the form of art, is still a “flower room” type of order, but its “poetry syntax, clear and frustrated, can shake people’s hearts” (Huang Tingjian’s “Xiaoshan Collection Preface”), in the ideological content The precedent for the innovation of Song Ci was on the top, and it was not regarded as “chasing the flower room” (Chen Zhensun’s “Zhizhai Book Records” Volume 21). Song Ci developed to Zhang Xian and Yan Jidao, and truly completed the transition from Tang to Song.
. However, in this transition stage, the transformation of Song Ci has begun. Among them, the first transformer was Liu Yong. Liu Yong is 4 years older than Yan Shu, 12 years older than Ouyang Xiu, and the three belong to the lyrics writer of the early Northern Song Dynasty. However, Liu Yong’s influence is not limited to the early Northern Song Dynasty, and it affects the entire Northern Song Dynasty. Liu Yong’s road is completely different from Yan and Ou. Yan and Ou are the prominent figures in politics and literary worlds, but Liu Yong is a “frustrated and boring, lingering square song”. But because of this, Liu Yong has the opportunity to penetrate the lower levels of society. His creations have widely come into contact with social life. In addition to the relationship between men and women, it also reflects some aspects of urban life. To a certain extent, it reflects the lives and life and of the people in the lower levels of some cities. Thought and emotion. Moreover, he is also good at absorbing the nutrients of folk lyrics, picking folk songs, and a large number of slow words, effectively expanding the system of words. Therefore, Liu Yong’s creation has obtained a wide range of social foundations and laid the foundation for the development of Song Ci. In the middle and late Northern Song Dynasty, Su Shi appeared in the word world and opened a new situation for the development of the Northern Song Dynasty. Su Shi regarded his words as “Poetry” (“Sacrifice Zhang Ziye”), and further “changed” on the basis of Liu Yong’s development of the boundaries and expanding the system. [Qinyuanchun] in “Dongpo Lefang” appeared in “Qinyuanchun], [Jiangchengzi]” Old Husband Chatting Juvenile Madness “, [Water Tune Songs]” When the Moon Billing “and [Niannu Jiao]” Dajiangdong East] Go to “such chapters such as the Northern Song Dynasty.词至苏轼，“无意不可入，无事不可言”（刘熙载《艺概》卷四），已成一种独立的抒情诗体；在欧、晏时，词的创作已不仅仅为了应歌，为Prostitutes can speak, and they can be used directly for romance and mind. The appearance of Su Shi promoted the development of the Northern Song Dynasty in the direction of multi -pole. On the one hand, Liu Yong’s influence is extremely far -reaching. Slowly creation in the Northern Song Dynasty has become more prosperous since Su Shi and Qin Guan. Eclectic, developing in different directions. The results of Liu and Su’s “change” and their competing results have made the Northern Song Dynasty poetry scenes have a variety of styles of prosperity. In the stage of development and change, the Northern Song Dynasty is not the so -called “graceful” and “bold” style, and the two genres can be summarized. At this stage, in addition to the “change” of Liu Yong and Su Shi, the artistic creation of Qin Guan, Zhao Lingyi, He Zhu, etc. also played a certain role in promoting the development of the Northern Song Dynasty. Qin Guan was under Su Shi’s door, and he “set a” self -made approach, Zhuo Ran famous “(Kuang Zhou Yi’s” Wind Words “Volume 2). His word “Junyi and Sophisticated” (Volume 2 of Wang Zhuo’s “Bi Chi Manzhi”) is not similar to Su Shi. Zhao Lingzhang did not get his true marrow for Su Shi to write lyrics. However, Qin Guan’s [Laughing Order] 10 songs (and poems), singing many beauties in history, 12 songs of Zhao Lingzhang’s Shang Tune [Butterfly Love Flowers], speaking Zhang Sheng and Cui Yingying into the lyrics, constituing a big song, The prototype is not only the origin of future dramas, but also adds varieties to the Northern Song Dynasty. In addition, He Zhu’s lyrics, “Gao Qi, Shengli is like a golden, Zhang Zhitang, and the demon is like Lanzhi, Shi Zhi, and the cleanliness, Song, and tragic like Su, Li” “), This also adds a posture to the development of the Northern Song Dynasty.
The late Northern Song Dynasty, Zhou Bangyan also adopted the director of the family to conduct a series of collected work to promote the maturity of the word body. In the ideological content of the lyrics, Zhou Bangyan “searched for the talents of Yuan Shao, sent a long sentence” (Liu Su’s “Shibu Jade Collection”), which enhanced the “constitution” of the word; in terms of artistic expression, Zhou Bangyan ” Use Tang people to include the law of entering the law “(Volume twenty -one in” Zhizhai Book Records “), and pay attention to the collation and standardization of words, which provides typical typical creation.
Pei Words in the Southern Song Dynasty, after the transformation of the Word of the Southern Song Dynasty, the lyrics created new situations. On the one hand, Jiang Zuo has a peaceful situation, and the economic and cultural “prosperity” situation has appeared. The political turbulence inevitably affects the word industry and the singing scene, which has a certain impact on the development and evolution of the word body. Lyrics of the lyrics during the Southern Song Dynasty, on their own different creative roads, created their own different attitudes and methods, played and transformed the continued development and transformation of Song Ci, and played their own different roles. Nandu writer Li Qingzhao and Xiang Ziyi, from north to south, their creation is the transition from the lyrics from the Northern Song Dynasty to the Southern Song Dynasty.
Li Qingzhao has experienced social changes from north to south. Her life encounters and thoughts and emotions have undergone tremendous changes. From Mingli fresh to low, deep and sad, but the “color” of words has not changed, her creation is how to express new content in the old form of Nandu writers, setting an example. Xiang Ziyi lived in front of “Jingkang’s Change” and lived a leisurely peaceful life. Most of the lyrics were “flowers” and “Zunqian” entertainment. He was involved in the vortex of social life that was involved in a dramatic change. Xiang Ziyi arranged “Jiangnan New Words” in front, and when he retired from Jiangbei, he called it “Jiangbei Old Ci”, which was intentional. Xiang Ziyi’s creation also reminded the door diameter for the lyrics creation in the great change.
The lyrics writers after Nandu, such as Lu You, Xin Qiji, Chen Liang, Liu Guo, Liu Kezhuang, Liu Chenweng, Jiang Yan, Studu, Wu Wenying, Zhang Yan and others, in Li Qingzhao, Xiang Ziyu’s foundation of Xiangzi On the last, inherited and carried forward the artistic creation experience of previous generations, and played a role in promoting the continued development of the word body. At the same time, in the process of “work” and “change”, their creation also accelerated the words to a certain extent. The transformation of the body.
The Xin Qiji’s life is declining. Send it to the word. Not only did he express the big themes and emotions of recovery in the words, but also singing the natural scenery in the words, praising the farmhouse life, and reflecting the social style of the time in various ways. In terms of art creation, Xin Qiji has formed his own characteristics after a variety of discussions and attempts. Xin Qiji’s creation reflects the highest achievements of the Southern Song Dynasty. However, some works of Xin Qiji are “loud, whispering” in the form of expression (whispering “(Liu Kezhuang’s” Xin Jiaxuan Collection Preface “, which seems to be very wild; It has produced a certain role.
The writer Lu You, Chen Liang, Liu Guo, or Jia Xuan, the writer of the same time as Xin Qiji. ); Or Introstye Xuan, “Words of Words” (Huang Sheng’s “Election of Words of Flowers · Selection of Wonderful Words since ZTE” Volume 5); The sequel to the 10080s “Poetry”). It can be said that it is Xin Qiji’s “same tone” or “vassal”. In the late Southern Song Dynasty and the lyrics writer Liu Kezhuang and Liu Chenweng, the worshipers of Xin Qiji were called Xin in the Southern Song Dynasty. Ciusing. Chen Liang, Liu Guo, Liu Kezhuang, Liu Chenweng and others are the supplement to Xin Ci. At the same time, the shortcomings of Xin Ci have also developed.
The achievements of Xin Qiji and others are mainly in the form of lyrics to reflect the life of the times and reflect the spirit of the times; the achievements of Jiang Yan, Wu Wenying and others lies in their discussion and attempts of the artistic expression of the words. On the class of words, it is facing the problem of the transformation of the word body. Jiang Yan is based on his theory of “combination” and “different” (“White Stone Taoist Poetry Collection of Self -narration”). In addition to halal and Jiaxuan, he created himself. At the same time, because it is longer than the rhythm, he is proficient in music theory, and the combination of words and music has become extremely popular. ). Its artistic pursuit has also achieved high achievements.
Sonanda’s words are beautiful and clear, and the style is quite close to Jiang Yan. Jiang Zhiyi. In artistic creation, the historical word “properly round”, “resignation of love”, “inlaid, police, fresh, leisurely, but no losses and losses of stain” ( Zhang Ye’s “Mei Xi Word Order”). But because of its lack of profound ideological content, and “with pointed with pen, non -generous family number” (Zhou Ji’s “Requirement Fasting Words Miscellaneous”), its achievements are still inferior to less than Jiang Yan.
Peng Jiang Yan, another giant in the Southern Song Dynasty, pushing Wu Wenying. Wu Wenying once proposed the four criteria: “The rhythm of the rhythm, the poem of the short growth of the growth; The word is elegant, and the indecentness is almost entangled; if the words should not be too exposed, the exposure is straight and the taste is not deep; The righteous father “Lefu’s Finger” quotes) The so -called collaboration, elegant and indecent, straightforward and deep, madness and tenderness, relatively argument, explaining that Wu Wenying’s proposal is proposed for the current situation of the word circles. Wu Wenying “With the talent of the gesture, the scriptures of Boli, the discussion of the rhyme, and the ancient harmony”, the word “Shen Qing is meticulous, the context is well, and the trail of the path is on the” Dream Window Words ” “Complex” posts). It should be said that it is related to this claim. However, Wu Wenying overdo the “elegance” in the content, and is too pursuing the form of “cooperation” and not revealed. The words are too obscure, and people are unknown “(Shen Yi’s father” Lefu’s Finger “). This has contributed to the decline of the Southern Song Dynasty.
This between the Song and Yuan Dynasties, known as “Le Xiao Weng”, is a polymaker who is good at Law. Zhang Yan is both “large section of flavored white stones, but also no benefit from the teacher” (“Artist · Calls and Songs”). For the various advantages of the ancestors of the word circles, many are picked, and “can flip the pen and the side pens. (Winning “(” Ci Forest Chronicle “Volume Sixteen Quotes),” Researching the Laws, Separation of God “(” Four Treasures Quanshu “). His word “borrowed from Qingyuan, lingering lingering” (“Artist · Calls”), self -containing family. However, in the case of “the way of voices for a long time”, Zhang Yan’s “independent vibration of the mourning” (the preface of the “white clouds in the mountains”) could not save the doom of Song Ci after all. At this point, the era of Song Ci has ended.
n lyrics writers in the Southern Song Dynasty, whether it is Lu You, Xin Qiji, or Jiang Yan, Zhang Yan, although they have explored and pioneered the art world of words on their own different roads, they They failed to solve new problems in words. To the Southern Song Dynasty, on the one hand, “gradually condensing and seeking workers between the words” (Feng Yan’s “Heman”), in the direction of elegance and literatiization; on the other hand , Bleeding with folk lyric “small tunes” (mainly “purifer singing” and “singing and earning” and the tones of the palace), transformed into songs.
This is the general trend of the development of long and short sentences.
The biggest feature of Song Ci is the artistic conception that can bring people into it. Simple examples, Liu Yong’s eight -sound Ganzhou will let each reader appear the scene of the “sky -to -boat”.
r
1932, native of Anyang, Henan. He was published in 1950, and in 1952, Nanjing Cultural Federation was appointed as an creator and engaged in professional drama creation. The main works include the opera script “Mu Guiying Handsome”, the short story “Falling Xia Yiyan”, the long historical novel “Qinhuai Eight Yan” series “The Charity of the Chaos”, etc. “One Ye Xiao Boat”, the classical poem “Song of Songs and Poems”.
Yuan Song
is a wonderful work in the splendid cultural treasure house of the Chinese nation. It reflects its unique features in ideological content and artistic achievements. Three important milestones.
Yuanqu originally came from the so -called “Fanqu” and “Hu Le”. First of all, it was circulated in the folk.
The in the Central Plains of the Song Dynasty, it was passed down in the vast area of the north -south vast area centered on most cadres (now Beijing) and Lin’an (now Hangzhou).
has a tight rhythm formula, and the sentence pattern, number of words, and flat of each brand has fixed format requirements. However, although there is a fixation, there is no rigid board. It allows adding lining in the freezing, and some songs can be added. Therefore, readers can find that the two songs of the same “song” are sometimes different, that is, because of this (in the same song card, one with the least number of characters is the standard fix).
Compared with the poems and Song Ci, it has greater flexibility.
The Yuanqu combined traditional poetry, folk songs, and dialects into one, forming a humorous, easy -to -free, and true artistic style, which has a very important impact on the innovation and development of the word body.
The Yuanqu, which has a unique charm of a literary prosperity after the Tang Dynasty poems and Song poems: on the one hand, Yuanqu inherited the clear and gentleness of the poems; The status of the eight -nine Confucianism and ten Confucian beggars, political power, and the darkness of society, so the Yuanqu radiates the brilliance of extremely eye -catching battles and reveals the emotion of resistance; It is best that there is no such thing as an exaggerated society, and you point out that “people are embarrassed, who does not see money”. The works described in Yuanqu are also hot and bold than poetry of all ages. These are enough to make Yuanqu’s artistic charm.
But in the same way, the spread of Yuanqu is never as wide as Tang poetry and Song poetry. This is because people feel strange to Yuanqu’s figure. We will briefly introduce it here.
The Yuan songs are divided into miscellaneous dramas and scattered songs. Sanqu has a set, and the small order is different.
The ancient Chinese music calls the regulator to take care of the palace. The palace tune of Qu is in the Sui and Tang dynasties. The four string of Pipa strings are set as the four sounds of palace, business, horns, and feathers. Each string constitutes seven tones. Twenty -eighth palace tone. However, only in Yuanqu, only Xianlu Palace, Nanglu Palace, Huangzhong Palace, Zhenggong, Da Shijie, Xiaoshi Tune, Similarly, Business Tune, Business Corner Tune, Double Tune, and Vietnam Twelve. Each type of palace has its own rhythm style, so there is often a certain habit for the choice of tone. For example, Wang Jide said in “The Law of Qu”: “Use the palace tune to be called the sadness and joy of things, such as the tourism, such as Xianlu, Shuangjie, etc., there are business adjustments, more and so on. It’s easy to touch. “
each tone of each palace has different songs. The number of sets is composed of different songs of the palace tones on Monday.
Catalog · [Early Tang Poetry]
· [Sheng Tang Poetry]
· [Border War Poetry]
· [Poetry, Poetry Saint]
· [Du Fu’s Poems]
· [Middle Night Tang Poetry]
The Tang Dynasty (618-907 AD) was the heyday of the development of classical poetry in my country. Tang Shi is one of the outstanding literary heritage in my country and a brilliant pearl in the treasure trove of literature around the world. Although it has been more than a thousand years since it is now, many poems are widely circulated.
The poets in the Tang Dynasty were particularly. Li Bai, Du Fu, and Bai Juyi are the world -famous great poets. In addition to them, there are countless other poets, like the sky fighting. These poets have more than 2,300 people today. Their works are still more than 48,900 in “The Tang Poems”. The theme of Tang poetry is very extensive. Some reflect the class conditions and class contradictions of the society from the side, and expose the darkness of the feudal society; some praise the war of justice and express patriotism; some depict the beauty of the motherland. In addition There are those who express their children’s love, there are people who tell friends, life sadness, and so on. In short, from natural phenomena, political dynamics, labor life, social style, until personal feelings, they can’t escape the keen eyes of the poets, becoming their writing is the subject matter. In terms of creative methods, there are both realistic genres and romantic genres, and many great works are models of these two creative methods, forming an excellent tradition of classical poetry in my country.
The form of Tang poetry is diverse. There are basically five words and seven -character poems in the Tang Dynasty. There are also two types of poems, one is called a quatraint, and the other is called Law Poetry. There are five words and seven words. Therefore, there are basically six types of Tang poetry: five -character ancient body poems, seven -character ancient style poems, five -character quatrains, seven -character quatrains, five -character rhythm poems, seven -character poems. The requirements of ancient poems on the rhyme rhythm are relatively wide: one of them, the number of sentences can be more or less, the chapter can be long or short, and the rhyme can be converted. Near -style poems have strict requirements on the rhyme rhyme: there are limited numbers of a poem, that is, four sentences, eight sentences of law poems, the flat sound of the words in each poem, there are certain rules, the rhyme feet cannot be converted; Four sentences become confrontation. The style of ancient poetry is passed down from the previous generation, so it is also called ancient style. Near -style poems have strict rhythm, so some people are also called rhythmic poems.
The form and style of Tang poetry are colorful and new. It not only inherited the tradition of the Han and Wei people’s songs and Yuefu, but also greatly developed the style of the song. The use of words also creates a very beautiful and neat poetry with a very beautiful style. Near -style poems were new style poems at the time. Its creation and maturity were a major event in the history of the development of poetry in the Tang Dynasty. It has pushed the artistic characteristics of the syllables of ancient song poetry and refined text to the unprecedented height, and found the most typical form for ancient lyric poems. However, the rhythm poetry in the near -body poetry, because it has strict restrictions on the rhythm, is easy to restrict the content of the poem, and cannot be created and exerted freely. This is a great flaw brought by its strengths.
Song Ci
Song Ci
Song Ci is another kind of literary genre after Tang poetry, which is basically divided into: two categories: gentle and unrestrained faction
representatives of the gentry factions Characters: Li Yu, the master of the Southern Tang Dynasty, the female poet of the Song Dynasty: Li Qingzhao and other
representatives of the luxury faction: Xin Qiji, Yue Fei, etc.
Song Ci A giant drill, in the ancient literature, is a fragrant garden. With the colorful and luminous gods, she competes with the Tang poetry, and she has always been known as the Tang poetry with the Tang poetry. From the “Book of Songs”, “Chu Ci”, and the poetry of the six dynasties of the Han and Wei Dynasty, they learned nutrition, and sent organic components to the later Ming and Qing dynasties. To this day, she is still cultivating people’s sentiments and brings us high artistic enjoyment.
The initial period of the words is extremely gorgeous, popular among the market wine restaurants, like writing “writing” and changing the floating name and singing “, offending the emperor Liu Yong at that time. Zhi, he lingered between the Qinglou of Gefang in his life and wrote words to the prostitutes. Remember, it seems that after being the prime minister, he did not admit that he wrote the words he had written before. We also knew that there were more prostitutes in the Song Dynasty. Together with the scholars of the Song Dynasty, they constituted the hedonism of the Song Dynasty and the culture of Xuhuang.
A dynasty and a country. This article refers to the style of Wen style or a society. We know that if a person studys specifically and studies the knowledge, then you must be separated from production labor and cannot fight. “After the establishment, the show in the world dedicated to drilling this thing to get fame and fame to support himself, so there was no time to think about things and inverted it. If a country” the more “the” style “is, the less people do things. This country will have a problem. There are many people who write poems in the past, and Song poems are also famous. Why is the independent poem named “Tang”? Tang poetry is praising the wind and snow, and there is a simple beauty. It reveals this. This reveals this. The nation is rustic, rough and magnificent, and Song Ci is more exaggerated style. If the culture of a country promotes the development of this country, then it is strong and vitality.
In the theory of evolution and history, there has never been “if” and “assumptions”, but only the cruel reality. The Song Dynasty was destroyed by the barbaric nation. This is the result. Alice.
The origin of the name of the word card
Fisher in fishing song: Also known as “Fisherman”. n Xiaoxiang Shen: Also known as “Xiaoxiang Qu”. In the Xiaoxiang area of the Tang Dynasty, the divine song of Xiangfei. The name of the original Tangjiao Fang.
Wang Jiangnan: The real name “Xie Qiu Niang”, Li Deyu was written by Xie Qiu Niang for the dead prostitute. “Dream Jiangnan”, “Wang Jiangnan”, “Jiangnan Good”, etc..
谒 谒 谒 谒 《《: The name of the original Tangjiao Fang, the Dunhuang song has the sentence “Golden Gate Emperor Ting”. .
Cangwu rumor: “Sixteen characters”.
The dream order: Later Tangzhuang Zong Li Cunzheng created, because there is “like dreams, dreams like dreams” And name.
In Qingyu case: The name of the name of the “Four Sorrows Poems” from Han Zhang Heng: “Beauty gives me a brilliant paragraph, why is it reported?” State: Reconstruction of the Tang Bianzi “Ganzhou” And because of the eight rhymes of the upper and lower films, the name is eight.
The Nian Jiao: Niannu, Tang Tianbao’s famous singers during the year.
The fairy: The original Tangjiaofang song, his real name “Wanshn”, was renamed because Huang Fusong’s “Annoying Tianxian Should Be You”.
The water tuning song: Tang Dazu has “Song of Water”, which was made by Emperor Sui Yang when he was excavated in the Luohe River.
Bodhisattva: The name of the original teaching square, also known as “Zi Ye Song”, “Wushan Yiyun” and so on. According to records, during the Tang Xuanzong, the woman’s country entered the tribute, and her people were high in golden crowns, and they were quilt.
钗 头: Take the name of the Anonymous’s “Pick Fang” “Poor Lishan Like a Phoenix” as the name.
Xijiangyue: The name is transferred from Li Bai’s “Su Tai Lanu” “Only Xijiangyue, once followed by Wu Wang Palace.”
Linjiangxian: The name of the original Tangjiao Fang, originally Yongxiang Ling.
Thison: The name of the original Tangjiao Fang was taken from Zhang Heng’s “Nandu Fu” “Sitting on the Nan Ge to Get up Zheng Wu”.
Themei: It is named because Zhou Bangyan’s “One Cut of Plum Blossoms”.
The water dragon yin: The name is transferred from Li Bai’s poem “flute water dragon yin”.
Qinyuanchun: Qinyuan was originally the princess of Qinshui in the Han Dynasty.
Die Lianhua: The name of the original Tangjiao Fang is taken from Liang Jianwen’s verse “Turning Gorge Butterfly Love Flower Love”, also known as “Step Tap Branches” and “Feng Qiwu”.
This for a while: The name of the original Tangjiao Fang, also known as “Ten Shoots”, came from the large -scale martial arts “Qin Wang Breaking Formation” made by King Li Shimin in the early Tang Dynasty
n Interpretation
The words all have words. For example, Manjiang Hong, Xijiang Yue and so on. The so -called word card is the name of the format of the word. The CCP of the “Credit” of Wanshu in the Qing Dynasty received more than 1,180. In fact, the word cards were more than this number.
The origin of the word cards, about three types:
. The name of the music was originally. The predecessor of the word is a song of songs, such as the Bodhisattva, and it is said that when the Xuanzong of the Tang Dynasty was presented, they tried a tribute to the country. They were tall and golden crowns. The Bodhisattva is quite chanting, and it will become a word card in the future. The same is true of Xijiangyue and Qinyuanchun.
. Several words in the words are used as a word card. For example, remembering Jiangnan, because Bai Juyi’s “Jiangnan is good … can not remember Jiangnan”. Niannu Jiao also came to Dajiangdong, that is, because of Su Dongpo’s “Dajiang East” sentence.
three. For example, the fishing song is living in the fishing family. Those who indicate “original meaning” under the word cards are also the topic.
. Most of the words are not the original meaning of the word, but just a codename of the spectrum. Most people should write another question or quote the small words below to speak their wonders.
The development of Song Ci is divided into three stages. In the first stage, Yan Shu, Zhang Xian, Yan Jidao, Ouyang Xiu, etc. inherited Yu Xu, “Huajian”, and was the transition of Tang to Song; in the second stage, Liu Yong and Su Shi carried out the new development of forms and content in form and content. As well as the artistic creation of Qin Guan, Zhao Lingzhang, He Zhu, etc., it promoted the prosperity of the Song Ci to develop a variety of styles. In the third stage, Zhou Bangyan’s collection in artistic creation reflects the deepening and maturity of Song Ci. These three stages are completely separated from time to time, but they are staggered together; in terms of the actual situation of their development and evolution, inheritance and innovation are not disconnected.
Yan Shu and Ouyang’s birthdays are the world of Chengping. The two loved the words and emotions of Feng Yanyi in the Southern Tang Dynasty. And more “rich and rich”, or “sparse”, “deep and gentle” and have both “obscene words”, and there are many things in common with Xishu’s “flowers”. Yan Shu’s “Pearl Yu” and Ouyang Xiu’s “Near the Music House” and “Drunk Man Qin Fun” have not broken through the traditional theme in terms of ideological content. In the form of art, no new creations have been seen. In the first stage of the development of the Northern Song Dynasty, the creations of Yan Shu and Ouyang Xiu were mainly inherited; the creation of Zhang Xian and Yan Jidao has been slightly revealed.
Zhang Xian and Yan Jidao, while inheriting the “Yu Xu”, have already appeared in the signs of “innovation”. Zhang Xian’s lyrics created, Wan turned to be beautiful, and although the content of the ideas has not broken through the scope of “flowers”, he created several slow words and prepared for the change of the word body in the art form. Yan Jidao’s creation, although in the form of art, is still a “flower room” type of order, but its “poetry syntax, clear and frustrated, can shake people’s hearts” (Huang Tingjian’s “Xiaoshan Collection Preface”), in the ideological content The precedent for the innovation of Song Ci was on the top, and it was not regarded as “chasing the flower room” (Chen Zhensun’s “Zhizhai Book Records” Volume 21). Song Ci developed to Zhang Xian and Yan Jidao, and truly completed the transition from Tang to Song.
. However, in this transition stage, the transformation of Song Ci has begun. Among them, the first transformer was Liu Yong. Liu Yong is 4 years older than Yan Shu, 12 years older than Ouyang Xiu, and the three belong to the lyrics writer of the early Northern Song Dynasty. However, Liu Yong’s influence is not limited to the early Northern Song Dynasty, and it affects the entire Northern Song Dynasty. Liu Yong’s road is completely different from Yan and Ou. Yan and Ou are the prominent figures in politics and literary worlds, but Liu Yong is a “frustrated and boring, lingering square song”. But because of this, Liu Yong has the opportunity to penetrate the lower levels of society. His creations have widely come into contact with social life. In addition to the relationship between men and women, it also reflects some aspects of urban life. To a certain extent, it reflects the lives and life and of the people in the lower levels of some cities. Thought and emotion. Moreover, he is also good at absorbing the nutrients of folk lyrics, picking folk songs, and a large number of slow words, effectively expanding the system of words. Therefore, Liu Yong’s creation has obtained a wide range of social foundations and laid the foundation for the development of Song Ci. In the middle and late Northern Song Dynasty, Su Shi appeared in the word world and opened a new situation for the development of the Northern Song Dynasty. Su Shi regarded his words as “Poetry” (“Sacrifice Zhang Ziye”), and further “changed” on the basis of Liu Yong’s development of the boundaries and expanding the system. [Qinyuanchun] in “Dongpo Lefang” appeared in “Qinyuanchun], [Jiangchengzi]” Old Husband Chatting Juvenile Madness “, [Water Tune Songs]” When the Moon Billing “and [Niannu Jiao]” Dajiangdong East] Go to “such chapters such as the Northern Song Dynasty.词至苏轼，“无意不可入，无事不可言”（刘熙载《艺概》卷四），已成一种独立的抒情诗体；在欧、晏时，词的创作已不仅仅为了应歌，为Prostitutes can speak, and they can be used directly for romance and mind. The appearance of Su Shi promoted the development of the Northern Song Dynasty in the direction of multi -pole. On the one hand, Liu Yong’s influence is extremely far -reaching. Slowly creation in the Northern Song Dynasty has become more prosperous since Su Shi and Qin Guan. Eclectic, developing in different directions. The results of Liu and Su’s “change” and their competing results have made the Northern Song Dynasty poetry scenes have a variety of styles of prosperity. In the stage of development and change, the Northern Song Dynasty is not the so -called “graceful” and “bold” style, and the two genres can be summarized. At this stage, in addition to the “change” of Liu Yong and Su Shi, the artistic creation of Qin Guan, Zhao Lingyi, He Zhu, etc. also played a certain role in promoting the development of the Northern Song Dynasty. Qin Guan was under Su Shi’s door, and he “set a” self -made approach, Zhuo Ran famous “(Kuang Zhou Yi’s” Wind Words “Volume 2). His word “Junyi and Sophisticated” (Volume 2 of Wang Zhuo’s “Bi Chi Manzhi”) is not similar to Su Shi. Zhao Lingzhang did not get his true marrow for Su Shi to write lyrics. However, Qin Guan’s [Laughing Order] 10 songs (and poems), singing many beauties in history, 12 songs of Zhao Lingzhang’s Shang Tune [Butterfly Love Flowers], speaking Zhang Sheng and Cui Yingying into the lyrics, constituing a big song, The prototype is not only the origin of future dramas, but also adds varieties to the Northern Song Dynasty. In addition, He Zhu’s lyrics, “Gao Qi, Shengli is like a golden, Zhang Zhitang, and the demon is like Lanzhi, Shi Zhi, and the cleanliness, Song, and tragic like Su, Li” “), This also adds a posture to the development of the Northern Song Dynasty.
The late Northern Song Dynasty, Zhou Bangyan also adopted the director of the family to conduct a series of collected work to promote the maturity of the word body. In the ideological content of the lyrics, Zhou Bangyan “searched for the talents of Yuan Shao, sent a long sentence” (Liu Su’s “Shibu Jade Collection”), which enhanced the “constitution” of the word; in terms of artistic expression, Zhou Bangyan ” Use Tang people to include the law of entering the law “(Volume twenty -one in” Zhizhai Book Records “), and pay attention to the collation and standardization of words, which provides typical typical creation.
Pei Words in the Southern Song Dynasty, after the transformation of the Word of the Southern Song Dynasty, the lyrics created new situations. On the one hand, Jiang Zuo has a peaceful situation, and the economic and cultural “prosperity” situation has appeared. The political turbulence inevitably affects the word industry and the singing scene, which has a certain impact on the development and evolution of the word body. Lyrics of the lyrics during the Southern Song Dynasty, on their own different creative roads, created their own different attitudes and methods, played and transformed the continued development and transformation of Song Ci, and played their own different roles. Nandu writer Li Qingzhao and Xiang Ziyi, from north to south, their creation is the transition from the lyrics from the Northern Song Dynasty to the Southern Song Dynasty.
Li Qingzhao has experienced social changes from north to south. Her life encounters and thoughts and emotions have undergone tremendous changes. From Mingli fresh to low, deep and sad, but the “color” of words has not changed, her creation is how to express new content in the old form of Nandu writers, setting an example. Xiang Ziyi lived in front of “Jingkang’s Change” and lived a leisurely peaceful life. Most of the lyrics were “flowers” and “Zunqian” entertainment. He was involved in the vortex of social life that was involved in a dramatic change. Xiang Ziyi arranged “Jiangnan New Words” in front, and when he retired from Jiangbei, he called it “Jiangbei Old Ci”, which was intentional. Xiang Ziyi’s creation also reminded the door diameter for the lyrics creation in the great change.
The lyrics writers after Nandu, such as Lu You, Xin Qiji, Chen Liang, Liu Guo, Liu Kezhuang, Liu Chenweng, Jiang Yan, Studu, Wu Wenying, Zhang Yan and others, in Li Qingzhao, Xiang Ziyu’s foundation of Xiangzi On the last, inherited and carried forward the artistic creation experience of previous generations, and played a role in promoting the continued development of the word body. At the same time, in the process of “work” and “change”, their creation also accelerated the words to a certain extent. The transformation of the body.
The Xin Qiji’s life is declining. Send it to the word. Not only did he express the big themes and emotions of recovery in the words, but also singing the natural scenery in the words, praising the farmhouse life, and reflecting the social style of the time in various ways. In terms of art creation, Xin Qiji has formed his own characteristics after a variety of discussions and attempts. Xin Qiji’s creation reflects the highest achievements of the Southern Song Dynasty. However, some works of Xin Qiji are “loud, whispering” in the form of expression (whispering “(Liu Kezhuang’s” Xin Jiaxuan Collection Preface “, which seems to be very wild; It has produced a certain role.
The writer Lu You, Chen Liang, Liu Guo, or Jia Xuan, the writer of the same time as Xin Qiji. ); Or Introstye Xuan, “Words of Words” (Huang Sheng’s “Election of Words of Flowers · Selection of Wonderful Words since ZTE” Volume 5); The sequel to the 10080s “Poetry”). It can be said that it is Xin Qiji’s “same tone” or “vassal”. In the late Southern Song Dynasty and the lyrics writer Liu Kezhuang and Liu Chenweng, the worshipers of Xin Qiji were called Xin in the Southern Song Dynasty. Ciusing. Chen Liang, Liu Guo, Liu Kezhuang, Liu Chenweng and others are the supplement to Xin Ci. At the same time, the shortcomings of Xin Ci have also developed.
The achievements of Xin Qiji and others are mainly in the form of lyrics to reflect the life of the times and reflect the spirit of the times; the achievements of Jiang Yan, Wu Wenying and others lies in their discussion and attempts of the artistic expression of the words. On the class of words, it is facing the problem of the transformation of the word body. Jiang Yan is based on his theory of “combination” and “different” (“White Stone Taoist Poetry Collection of Self -narration”). In addition to halal and Jiaxuan, he created himself. At the same time, because it is longer than the rhythm, he is proficient in music theory, and the combination of words and music has become extremely popular. ). Its artistic pursuit has also achieved high achievements.
Sonanda’s words are beautiful and clear, and the style is quite close to Jiang Yan. Jiang Zhiyi. In artistic creation, the historical word “properly round”, “resignation of love”, “inlaid, police, fresh, leisurely, but no losses and losses of stain” ( Zhang Ye’s “Mei Xi Word Order”). But because of its lack of profound ideological content, and “with pointed with pen, non -generous family number” (Zhou Ji’s “Requirement Fasting Words Miscellaneous”), its achievements are still inferior to less than Jiang Yan.
Peng Jiang Yan, another giant in the Southern Song Dynasty, pushing Wu Wenying. Wu Wenying once proposed the four criteria: “The rhythm of the rhythm, the poem of the short growth of the growth; The word is elegant, and the indecentness is almost entangled; if the words should not be too exposed, the exposure is straight and the taste is not deep; The righteous father “Lefu’s Finger” quotes) The so -called collaboration, elegant and indecent, straightforward and deep, madness and tenderness, relatively argument, explaining that Wu Wenying’s proposal is proposed for the current situation of the word circles. Wu Wenying “With the talent of the gesture, the scriptures of Boli, the discussion of the rhyme, and the ancient harmony”, the word “Shen Qing is meticulous, the context is well, and the trail of the path is on the” Dream Window Words ” “Complex” posts). It should be said that it is related to this claim. However, Wu Wenying overdo the “elegance” in the content, and is too pursuing the form of “cooperation” and not revealed. The words are too obscure, and people are unknown “(Shen Yi’s father” Lefu’s Finger “). This has contributed to the decline of the Southern Song Dynasty.
This between the Song and Yuan Dynasties, known as “Le Xiao Weng”, is a polymaker who is good at Law. Zhang Yan is both “large section of flavored white stones, but also no benefit from the teacher” (“Artist · Calls and Songs”). For the various advantages of the ancestors of the word circles, many are picked, and “can flip the pen and the side pens. (Winning “(” Ci Forest Chronicle “Volume Sixteen Quotes),” Researching the Laws, Separation of God “(” Four Treasures Quanshu “). His word “borrowed from Qingyuan, lingering lingering” (“Artist · Calls”), self -containing family. However, in the case of “the way of voices for a long time”, Zhang Yan’s “independent vibration of the mourning” (the preface of the “white clouds in the mountains”) could not save the doom of Song Ci after all. At this point, the era of Song Ci has ended.
n lyrics writers in the Southern Song Dynasty, whether it is Lu You, Xin Qiji, or Jiang Yan, Zhang Yan, although they have explored and pioneered the art world of words on their own different roads, they They failed to solve new problems in words. To the Southern Song Dynasty, on the one hand, “gradually condensing and seeking workers between the words” (Feng Yan’s “Heman”), in the direction of elegance and literatiization; on the other hand , Bleeding with folk lyric “small tunes” (mainly “purifer singing” and “singing and earning” and the tones of the palace), transformed into songs.
This is the general trend of the development of long and short sentences.
The biggest feature of Song Ci is the artistic conception that can bring people into it. Simple examples, Liu Yong’s eight -sound Ganzhou will let each reader appear the scene of the “sky -to -boat”.
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1932, native of Anyang, Henan. He was published in 1950, and in 1952, Nanjing Cultural Federation was appointed as an creator and engaged in professional drama creation. The main works include the opera script “Mu Guiying Handsome”, the short story “Falling Xia Yiyan”, the long historical novel “Qinhuai Eight Yan” series “The Charity of the Chaos”, etc. “One Ye Xiao Boat”, the classical poem “Song of Songs and Poems”.
Yuan Song
is a wonderful work in the splendid cultural treasure house of the Chinese nation. It reflects its unique features in ideological content and artistic achievements. Three important milestones.
Yuanqu originally came from the so -called “Fanqu” and “Hu Le”. First of all, it was circulated in the folk.
The in the Central Plains of the Song Dynasty, it was passed down in the vast area of the north -south vast area centered on most cadres (now Beijing) and Lin’an (now Hangzhou).
has a tight rhythm formula, and the sentence pattern, number of words, and flat of each brand has fixed format requirements. However, although there is a fixation, there is no rigid board. It allows adding lining in the freezing, and some songs can be added. Therefore, readers can find that the two songs of the same “song” are sometimes different, that is, because of this (in the same song card, one with the least number of characters is the standard fix).
Compared with the poems and Song Ci, it has greater flexibility.
The Yuanqu combined traditional poetry, folk songs, and dialects into one, forming a humorous, easy -to -free, and true artistic style, which has a very important impact on the innovation and development of the word body.
The Yuanqu, which has a unique charm of a literary prosperity after the Tang Dynasty poems and Song poems: on the one hand, Yuanqu inherited the clear and gentleness of the poems; The status of the eight -nine Confucianism and ten Confucian beggars, political power, and the darkness of society, so the Yuanqu radiates the brilliance of extremely eye -catching battles and reveals the emotion of resistance; It is best that there is no such thing as an exaggerated society, and you point out that “people are embarrassed, who does not see money”. The works described in Yuanqu are also hot and bold than poetry of all ages. These are enough to make Yuanqu’s artistic charm.
But in the same way, the spread of Yuanqu is never as wide as Tang poetry and Song poetry. This is because people feel strange to Yuanqu’s figure. We will briefly introduce it here.
The Yuan songs are divided into miscellaneous dramas and scattered songs. Sanqu has a set, and the small order is different.
The ancient Chinese music calls the regulator to take care of the palace. The palace tune of Qu is in the Sui and Tang dynasties. The four string of Pipa strings are set as the four sounds of palace, business, horns, and feathers. Each string constitutes seven tones. Twenty -eighth palace tone. However, only in Yuanqu, only Xianlu Palace, Nanglu Palace, Huangzhong Palace, Zhenggong, Da Shijie, Xiaoshi Tune, Similarly, Business Tune, Business Corner Tune, Double Tune, and Vietnam Twelve. Each type of palace has its own rhythm style, so there is often a certain habit for the choice of tone. For example, Wang Jide said in “The Law of Qu”: “Use the palace tune to be called the sadness and joy of things, such as the tourism, such as Xianlu, Shuangjie, etc., there are business adjustments, more and so on. It’s easy to touch. “
each tone of each palace has different songs. The number of sets is composed of different songs of the palace tones on Monday.