5 thoughts on “If the mainstream cross talk group is changed from negative profit and loss, can all the personnel support themselves?”
Orville
As a traditional art, crosstalk should indeed be carried out and promoted by people, but it has to be said that with the rise of the Internet, the cross talk seems to be eliminated, and we must admit that the current cross talk is indeed not hot, and this also has it. Mainly many factors. The purest juice and pure comic dialogue should be listening to the crosstalk in the small theater, eating melon seeds or peanuts, drinking tea, and watching the actor's hard performance on the stage. But as people's life rhythm becomes faster, there is no time to go to the small theater to listen to crosstalk. Usually, a mobile phone can taste various cross talks. Of course, you don't need to spend tickets. However, the income of cross talk actors is mainly from tickets, so some small cross talk groups do have very difficult survival. But there are some people who are puzzled. Isn't Deyun Society very popular now? It is often reported that the first row of Deyun Society is tens of thousands or even tens of thousands of yuan. Even a dozen rows of seats require hundreds of yuan, and the tickets of Deyun Society are usually sold after a few seconds of sale. use up. But we need to understand that what is really hot is Deyun Society instead of cross talk. It seems that it is difficult for people to think of other crosstalk groups except the Deyun Club, because many cross talk groups are very difficult to survive and have faced closure. Therefore, people often say that "Crosstalk has newcomers" saves a large number of small cross talk groups. Regarding the mainstream crosstalk group, can all staff be able to feed themselves if they are changed from negative profit or loss? In fact, the answer is self -evident. It is difficult for all people to support themselves, because these mainstream cross talk groups do not have a fixed income, and it is difficult to continue to engage in the cross talk industry. For example, Sun Yue is a very obvious example. His master is not Guo Degang, but Yu Qian's master Shi Fukuan. In the first time, the cross talk was very downturn, and Sun Yue also learned cross talk when he was very young. And then there was a cross talk group, but he couldn't feed himself at all, so he went to the zoo to feed the elephant. . When Guo Degang and Yu Qian organized Deyun Society, Guo Degang recruited Sun Yue. Sun Yue was not optimistic about Deyun Society, but he still loved to cross talk, so he only mentioned a condition to Guo Degang. It is hoped that the group of younger brothers to enter Deyun Society has a stable job. In the end, Guo Degang all stood up, and Sun Yue's partner Yue Yunpeng finally ushered in the success of his career. So if the mainstream cross talk groups do not have a high popularity, it is very difficult to feed yourself through tickets. And we need to know that there is a certain difference between mainstream cross talk and Guo Degang, such as non -mainstream cross talks. In Guo Degang's view, elegant and vulgar appreciation can make everyone happy. Tour, and their cross talk is formal, but the art of cross talk is more vulgar and more easily accepted and liked by people, and the mainstream crosstalk is suitable for some big stages.
Since the establishment of the New China, the crosstalk has gone through three crisis, and it is pitiful, and every time it is fierce. The first crisis, the establishment of the New China, and the party leadership, including the art and music industry, must be able to promote new ideas and new policies, otherwise it is the fate of marginalization. The traditional paragraph obviously cannot meet the party's requirements. With the help of Lao She and other literary people, Hou Baolin has transformed traditional cross talks, cuts a lot, and creates a group of anti -imperialism, anti -feudal, and education people. As a result, the art form of cross talk has been recognized and supported by the government, and has become a "literary and artistic light cavalry." The second crisis, in a special period, internal political struggle continued, the literary and art circles were the first, and they were convicted. Even the works such as "buy monkeys" were deducted on the hat of the working people. At the time of Wan Ma Qi, Ma Ji pioneered the comic dialogue. Although it was criticized, in a special period, the cross talk can exist and continue to achieve great achievements. The third crisis, market economy reform, cross talk back to the market. After the founding of the People's Republic of China, the cross talk group was compiled by the state and became a propaganda tool. However, after the market reform, most of the performance groups can only bear their own profit and loss, and rely on the market to support themselves. It is extremely difficult to change from "home care" to "wild". Many actors have transformed and leave the cross talk industry. From the perspective of the audience, various forms of entertainment are diverse, and the crosstalk has gradually faded out of the sight of the mainstream consumer group. In this way, the ending of the cross talk is to become a niche art. Economically and talented, it is difficult to obtain fresh blood, and it is inevitable. At this time, Guo Degang turned the tide, pulling the young people into the crosstalk theater, making the cross talk a way of leisure and entertainment. It is also under his influence that cross talk has received support from social resources (funds, venues, media, and talents). During the most difficult period, Guo Degang's greatest help was Zhang Wenshun. Ma Sanli's paragraph, I don't tire of it, but I still want to say that for the cross talk cause, Master Ma is icing on the cake (the flowers he adds may be called the most beautiful one in all flowers); and Zhang Wenshun sent charcoal in the snow.
Guo Degang -A cross talk artist who uses a fallacy to brainwashing the brain powder. From this perspective, he is indeed unique to the cross talk world. The people who do n’t understand the words of Guo Degang in the world are referred to as bright lights, and people who are regarded as the creed of life. Do you have n’t went to school to read a book, or you usually listen to Guo Degang ’s cross talk as the only source of information. In occasionally listening to other audio programs, even if it is appraisal, you can know that this world is not Guo Degang's description, including the so -called "mainstream cross talk world". The "mainstream cross talk actors" described by Guo Degang are actually some people with positions, such as Jiang Kun and Hou Yaohua, one is the leader of Qu Xie, and the other is the deputy dean and artistic director of the Institute of Drama and Television. In fact, they do not expect the salary to support themselves, because there are very few wages issued by the state. For example, the first -level actors who have been worshiped by the gods are actually a few thousand yuan per month. The sewing is not enough. It people like Jiang Kun Hou Yaohua, in addition to their daily jobs, their income channels are more of making money with fame, such as Hou Yaohua's various endorsements, and even to plastic surgery hospitals. legitimate. Zhao Zhongxiang, who had made a noise some time ago, sells calligraphy and paintings and group photos. It is all the truth. The higher the status of your status, the greater the reputation. Jiang Kun will also do some variety shows, or do some name projects, such as Yixing's "Jiang Kunxiao Theater", which is the large -scale performance venue invested by local companies. Of course, the focus is on the resort project. There will be income, and the number will not be small. Coufenders are not organized by the country's full appropriation operation. Only some projects that meet the prescribed projects can apply for reimbursement. After all, it is still a private community. They usually bear part of the expenses of the association's operation. For example, Zhang Hongshun, who was fired by Hou Yaohua in the first half of the year, the second hand of Hebei Qu Xiexie, and the president of the top 500 companies. No, the starvation will be the Qu Association of Hebei Province. So the mainstream cross talk world described by Guo Degang is simply a pseudo -concept. Whether it is his master Hou Yaowen or the dead opponent Jiang Kun, he does not rely on the association to get rich. Qu Xie and the Railway Cultural Troupe are just a signboard, gathered in the unified management of some cross talk talents. Even if it is dissolved, the people inside should live and how to live. There is no impact at all. Yu Qian used to be an iron rice bowl of the Railway Cultural Troupe, but he went to the crew to run a dragon set everywhere, and he did not see that the railway cultural troupe made him get rich. Yang Jinming also joined Deyun Society at an age. So no need to listen to Guo Degang's blind vernacular. In fact, they are all morals. They can support their own additional song associations. People who are unable to join Qu Xie are also starved in the conference room.
As a traditional art, crosstalk should indeed be carried out and promoted by people, but it has to be said that with the rise of the Internet, the cross talk seems to be eliminated, and we must admit that the current cross talk is indeed not hot, and this also has it. Mainly many factors. The purest juice and pure comic dialogue should be listening to the crosstalk in the small theater, eating melon seeds or peanuts, drinking tea, and watching the actor's hard performance on the stage.
But as people's life rhythm becomes faster, there is no time to go to the small theater to listen to crosstalk. Usually, a mobile phone can taste various cross talks. Of course, you don't need to spend tickets. However, the income of cross talk actors is mainly from tickets, so some small cross talk groups do have very difficult survival. But there are some people who are puzzled. Isn't Deyun Society very popular now? It is often reported that the first row of Deyun Society is tens of thousands or even tens of thousands of yuan. Even a dozen rows of seats require hundreds of yuan, and the tickets of Deyun Society are usually sold after a few seconds of sale. use up.
But we need to understand that what is really hot is Deyun Society instead of cross talk. It seems that it is difficult for people to think of other crosstalk groups except the Deyun Club, because many cross talk groups are very difficult to survive and have faced closure. Therefore, people often say that "Crosstalk has newcomers" saves a large number of small cross talk groups. Regarding the mainstream crosstalk group, can all staff be able to feed themselves if they are changed from negative profit or loss? In fact, the answer is self -evident. It is difficult for all people to support themselves, because these mainstream cross talk groups do not have a fixed income, and it is difficult to continue to engage in the cross talk industry.
For example, Sun Yue is a very obvious example. His master is not Guo Degang, but Yu Qian's master Shi Fukuan. In the first time, the cross talk was very downturn, and Sun Yue also learned cross talk when he was very young. And then there was a cross talk group, but he couldn't feed himself at all, so he went to the zoo to feed the elephant.
. When Guo Degang and Yu Qian organized Deyun Society, Guo Degang recruited Sun Yue. Sun Yue was not optimistic about Deyun Society, but he still loved to cross talk, so he only mentioned a condition to Guo Degang. It is hoped that the group of younger brothers to enter Deyun Society has a stable job. In the end, Guo Degang all stood up, and Sun Yue's partner Yue Yunpeng finally ushered in the success of his career.
So if the mainstream cross talk groups do not have a high popularity, it is very difficult to feed yourself through tickets. And we need to know that there is a certain difference between mainstream cross talk and Guo Degang, such as non -mainstream cross talks. In Guo Degang's view, elegant and vulgar appreciation can make everyone happy. Tour, and their cross talk is formal, but the art of cross talk is more vulgar and more easily accepted and liked by people, and the mainstream crosstalk is suitable for some big stages.
Since the establishment of the New China, the crosstalk has gone through three crisis, and it is pitiful, and every time it is fierce.
The first crisis, the establishment of the New China, and the party leadership, including the art and music industry, must be able to promote new ideas and new policies, otherwise it is the fate of marginalization. The traditional paragraph obviously cannot meet the party's requirements. With the help of Lao She and other literary people, Hou Baolin has transformed traditional cross talks, cuts a lot, and creates a group of anti -imperialism, anti -feudal, and education people. As a result, the art form of cross talk has been recognized and supported by the government, and has become a "literary and artistic light cavalry."
The second crisis, in a special period, internal political struggle continued, the literary and art circles were the first, and they were convicted. Even the works such as "buy monkeys" were deducted on the hat of the working people. At the time of Wan Ma Qi, Ma Ji pioneered the comic dialogue. Although it was criticized, in a special period, the cross talk can exist and continue to achieve great achievements.
The third crisis, market economy reform, cross talk back to the market. After the founding of the People's Republic of China, the cross talk group was compiled by the state and became a propaganda tool. However, after the market reform, most of the performance groups can only bear their own profit and loss, and rely on the market to support themselves. It is extremely difficult to change from "home care" to "wild". Many actors have transformed and leave the cross talk industry. From the perspective of the audience, various forms of entertainment are diverse, and the crosstalk has gradually faded out of the sight of the mainstream consumer group. In this way, the ending of the cross talk is to become a niche art. Economically and talented, it is difficult to obtain fresh blood, and it is inevitable. At this time, Guo Degang turned the tide, pulling the young people into the crosstalk theater, making the cross talk a way of leisure and entertainment. It is also under his influence that cross talk has received support from social resources (funds, venues, media, and talents).
During the most difficult period, Guo Degang's greatest help was Zhang Wenshun.
Ma Sanli's paragraph, I don't tire of it, but I still want to say that for the cross talk cause, Master Ma is icing on the cake (the flowers he adds may be called the most beautiful one in all flowers); and Zhang Wenshun sent charcoal in the snow.
Guo Degang -A cross talk artist who uses a fallacy to brainwashing the brain powder. From this perspective, he is indeed unique to the cross talk world.
The people who do n’t understand the words of Guo Degang in the world are referred to as bright lights, and people who are regarded as the creed of life. Do you have n’t went to school to read a book, or you usually listen to Guo Degang ’s cross talk as the only source of information.
In occasionally listening to other audio programs, even if it is appraisal, you can know that this world is not Guo Degang's description, including the so -called "mainstream cross talk world".
The "mainstream cross talk actors" described by Guo Degang are actually some people with positions, such as Jiang Kun and Hou Yaohua, one is the leader of Qu Xie, and the other is the deputy dean and artistic director of the Institute of Drama and Television. In fact, they do not expect the salary to support themselves, because there are very few wages issued by the state. For example, the first -level actors who have been worshiped by the gods are actually a few thousand yuan per month. The sewing is not enough.
It people like Jiang Kun Hou Yaohua, in addition to their daily jobs, their income channels are more of making money with fame, such as Hou Yaohua's various endorsements, and even to plastic surgery hospitals. legitimate. Zhao Zhongxiang, who had made a noise some time ago, sells calligraphy and paintings and group photos. It is all the truth. The higher the status of your status, the greater the reputation. Jiang Kun will also do some variety shows, or do some name projects, such as Yixing's "Jiang Kunxiao Theater", which is the large -scale performance venue invested by local companies. Of course, the focus is on the resort project. There will be income, and the number will not be small.
Coufenders are not organized by the country's full appropriation operation. Only some projects that meet the prescribed projects can apply for reimbursement. After all, it is still a private community. They usually bear part of the expenses of the association's operation. For example, Zhang Hongshun, who was fired by Hou Yaohua in the first half of the year, the second hand of Hebei Qu Xiexie, and the president of the top 500 companies. No, the starvation will be the Qu Association of Hebei Province.
So the mainstream cross talk world described by Guo Degang is simply a pseudo -concept. Whether it is his master Hou Yaowen or the dead opponent Jiang Kun, he does not rely on the association to get rich. Qu Xie and the Railway Cultural Troupe are just a signboard, gathered in the unified management of some cross talk talents. Even if it is dissolved, the people inside should live and how to live. There is no impact at all. Yu Qian used to be an iron rice bowl of the Railway Cultural Troupe, but he went to the crew to run a dragon set everywhere, and he did not see that the railway cultural troupe made him get rich. Yang Jinming also joined Deyun Society at an age.
So no need to listen to Guo Degang's blind vernacular. In fact, they are all morals. They can support their own additional song associations. People who are unable to join Qu Xie are also starved in the conference room.
No, because the crosstalk group has no commercial value and economic source, it is impossible to support themselves.
cannot. Some popular actors can support themselves, and it is difficult to be unknown.